Details include TV aerials, hundreds of windows on tower blocks and the crescent moon of Islam on mosques.







Via: The Sun
















I always have been fascinated with skulls (In my home town in Switzerland, my parents and I were living above a Natural Museum). As I mentioned, I photographed over 140 skulls of animals from the Field Museum in Chicago, and it become a traveling exhibition across the U.S. for 8 years (sponsored by the Museum). In the mid-90’s, during an auction from an old school, I purchased 3 metal lockers and to my surprise one of them held a real, full size articulated skeleton. For years I had it displayed in one of the rooms in my studio and I often wondered what else I could do with it. Finally the idea came to me to explore the idea of disassembling the skeleton and rearranging the bones, and from that process came the series “Stop the Violence”.





























Every prisoner waiting to be executed is granted a last meal. Prisoners waiting to die choose their last meal for different reasons. Some choose from past memories, while others feast on what they crave at the moment. Such fascinating details surrounding the final hours before being put to death are a matter of public record and are the inspiration for this series of photographs. Justice may not always be served because the innocent can be proved guilty and the guilty can be proved innocent. Choosing the last meal is a significant ritual because the accuracy and validity of this choice is the only answer one can ultimately accept. This series visually documents the face and last meal of a convicted killer and is without question, honest and true. This will be an on going project as executions continue to take place in the United States. The core of the issue lies not on the emotionally loaded (for or against) arguments, but to question, how is society really served by the death penalty?
















